Wild Urban Homes: Kansas City

Where Architecture and Wildlife Share a Sense of Home

When Kansas City’s Art in the Loop announced the theme Home, I found myself reflecting on something deeper than buildings or addresses.

Home is not just a structure.

It is a meeting point.

A place where instinct and intention coexist — where architecture frames our lives and nature quietly continues alongside us.

Wild Urban Homes grew from that intersection.

This series explores how the iconic architecture of Kansas City — Union Station, the Nelson-Atkins Museum, the Kauffman Center, the Liberty Memorial — can become shared ground between the built environment and the wild lives that inhabit it.

Mockup of a streetcar stop for the "Art in the Loop" proposal

Watercolor & metal leaf mixed media on sage paper, 9″ x 12″

Quiet at Home

Beneath the rolling landscape of the Nelson-Atkins Museum lawn, a family of owls nest quietly.

The museum preserves human history and creativity. The owls preserve life.

In this piece, architecture becomes habitat — a reminder that our cultural landmarks are not separate from nature, but layered within it.

Gold and variegated metal leaf catch light differently depending on the viewer’s position, echoing the shifting ways we experience memory and place.

 

Watercolor & metal leaf mixed media on sage paper, 9″ x 12″

Returning Home

Under the sweeping curves of the Kauffman Center, a fox family finds shelter.

The contrast between monumental form and soft fur speaks to something universal: even in grand civic spaces, instinct remains present.

We build structures for gathering.
Wildlife builds dens for protection.

Both are acts of home-making.

 

Watercolor & metal leaf mixed media on sage paper, 9″ x 12″

Sentinel at Home

An eagle stands watch above the Liberty Memorial — symbol of resilience and remembrance.

Here, architecture becomes a perch. A vantage point. A bridge between past and present.

The metallic surface reflects light like shifting sky, reinforcing the idea that history and nature are both alive, not static.

 

Watercolor & metal leaf mixed media on sage paper, 9″ x 12″

The Last Train Home

At Union Station, a raccoon pauses at dusk.

Stations represent movement, departure, return.

This piece considers how home sometimes exists in transition — in the spaces between destinations.

Even in cities defined by schedules and steel, instinct finds rhythm.

 

Materials & Process

Each work in this series combines mixed-media drawing with shimmering layers of metal leaf in gold, silver, copper, and variegated greens

Metal leaf was chosen intentionally.

It responds to light the way architecture does — shifting throughout the day.

It allows the animals to feel luminous yet grounded, symbolic yet present.

The surface becomes a conversation between permanence and fragility — much like cities themselves.

Why This Series Matters

Kansas City is known for its cultural institutions and architectural icons.

But what if we looked at these landmarks not only as monuments — but as ecosystems?

Wild Urban Homes asks viewers to reconsider where belonging begins.

Is home the structure?
The memory?
The instinct to return?

Or is it the shared space between species, between intention and survival?








Available Works

Original pieces from the Wild Urban Homes series are now available.

If you are drawn to Kansas City’s architectural landscape, wildlife symbolism, or the idea of home as shared ground, this collection invites you to bring that narrative into your space.

👉 Explore Available Works → Shop Originals

Interested in a commissioned piece inspired by your own city or architectural landmark?

👉 Inquire About a Custom Commission → Contact

For early access to new releases and future public art concepts:

👉 Join the Collector List

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Arriving Home